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THE GREAT EGYPTIAN DEMOCRACY AND FREEDOM EXPERIMENT

Posted on June 7, 2026June 7, 2026

Abdullah Hashem Aba Al-Sadiq,
Jan. 1, 2025 By AimanAbir18plus –
Own work, CC BY 4.0, Wikipedia
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Abdullah Hashem, Hashem Studios, and the Construction of a Persecution Narrative in 2011

Introduction

In August 2011, Abdullah Hashem published a forum thread entitled The Great Egyptian Democracy and Freedom Experiment.

The post presented the campaign as a test of whether post-revolution Egypt was genuinely democratic and free. It called on supporters to spread the campaign through websites, news stations, social media, friends, and family.

At first glance, the campaign appeared to be about religious liberty and freedom of belief. However, the archived discussion also reveals something deeper: the creation of a powerful persecution narrative around Abdullah Hashem, the Ansar of Ahmed al-Hassan, and the wider Hashem Studios movement.


Abdullah Hashem’s Call to Mobilise

Abdullah Hashem opened the thread by asking:

“Is Egypt really Democratic and Free? Did the Revolution change much?”

He then directed followers to the campaign website and urged them to spread the material everywhere possible.

He wrote that supporters should use:

  • media outlets,
  • Twitter,
  • YouTube,
  • Facebook,
  • friends,
  • family,
  • and the wider internet.

This shows that the campaign was not merely a private discussion. It was designed as a public mobilisation effort.

The aim was to create visibility, pressure, and international attention around the treatment of the Ansar of Imam Mahdi.


“If I Fail to Update, We Are Most Likely Arrested”

One of the most striking lines in Abdullah’s opening post was:

“Also if I fail to update the above blog site on a daily basis, we are most likely arrested.”

This statement is important because it placed followers into a state of expectation and alarm.

From the beginning, the campaign was framed not only as a religious debate but as a situation involving possible arrest, danger, and state oppression.

This created a dramatic atmosphere in which supporters were encouraged to watch daily updates and remain ready to act if something happened.


The Movement Presents Itself as Persecuted Truth

The responses from followers quickly adopted the language of sacrifice, persecution, and spiritual battle.

One member wrote:

“The truth is something worth dying for and sacrificing everything for.”

Another described the campaign as an effort to protect the message of Ahmed al-Hassan.

Others prayed for protection over the Ansar in Egypt and described the situation as a noble struggle for truth.

The debate was therefore not treated as an ordinary religious disagreement. It was framed as a confrontation between truth and falsehood.


The Safa Debate and Enemy Framing

A major part of the thread concerns the Safa television debate involving Uncle Showky.

Forum participants repeatedly portrayed Safa and its staff as enemies of the Ahlul Bayt and opponents of truth.

The language became increasingly hostile.

Safa was described as:

  • anti-Shia,
  • hateful,
  • deceptive,
  • dangerous,
  • spiritually corrupt,
  • and aligned with tyrants.

One participant compared the host to a propaganda minister.

Another described Uncle Showky as a “one man army” against “nasibi lizards.”

This language demonstrates how the community increasingly interpreted the debate through a hostile “us versus them” framework.


Suspicion and Fear

The archive also shows that ordinary events were interpreted through suspicion.

When the Safa team allegedly invited the Ansar for iftar, one administrator suggested it was good they did not attend because “God knows what they would have mixed into the food.”

Later, flat tyres were interpreted as possible sabotage.

A later post claimed that nails had been placed in three wheels and described this as “attempted murder.”

Whether or not these claims were true, the thread shows that members were being encouraged to view surrounding events as part of a hostile campaign against them.

This reinforced the perception that the movement was under serious threat.


The Bribe Allegation

The thread also contains discussion of an alleged attempt to offer Uncle Showky money, an apartment by the Nile, and a car.

Supporters interpreted this as evidence that Safa was losing the debate and trying to buy silence.

One member wrote that the offer showed the importance of the debate to Safa.

Another argued that the alleged offer proved Safa could not defeat the Ansar through argument.

Again, the key point is not whether every claim can be independently verified from the forum alone. The historical importance is how the community interpreted the event.

The alleged bribe became part of the wider victory narrative.


“Be Ready to Launch the Biggest Campaign of Your Lives”

As tension increased, one post warned followers to be ready “at any moment” to launch a major campaign if something happened.

This is significant because it shows how the online community was being organised for rapid mobilisation.

The forum was not functioning merely as a message board. It operated as a command-and-response network where supporters were expected to share, promote, translate, pray, and act.


Victory Through Withdrawal

Near the end of the campaign, Abdullah Hashem posted that Safa had withdrawn from the debate.

He framed the withdrawal as a victory for Uncle Showky and the Ansar.

He also added a symbolic interpretation, noting that the withdrawal took place on the 24th night of Ramadan and linking the number 24 to the 12 Imams and 12 Mahdis.

This is significant because it shows how ordinary events were interpreted through religious symbolism.

A television debate ending became not merely a scheduling decision or media event, but a spiritually meaningful sign.


What the Archive Demonstrates

The archive demonstrates several important features of the early Hashem Studios/Yamani movement:

  1. Abdullah Hashem was already acting as a public organiser and media strategist in 2011.
  2. The movement used online campaigns, blogs, forums, television appearances, and social media to mobilise supporters.
  3. Followers were encouraged to interpret opposition as evidence that the movement represented persecuted truth.
  4. The community used emotionally charged language of sacrifice, danger, enemies, victory, and divine protection.
  5. The forum functioned as an international mobilisation network rather than a simple discussion space.
  6. Religious claims, media strategy, and persecution framing were deeply intertwined.

Historical Significance

This thread is important because it shows Abdullah Hashem before his later claims as Aba Al-Sadiq and the Qa’im.

In 2011, he was already operating as:

  • a campaign organiser,
  • media producer,
  • online strategist,
  • public spokesman,
  • and central figure within the Ahmed al-Hassan movement.

The thread also shows the early formation of a pattern that would later become important in AROPL: criticism or opposition is not treated merely as disagreement, but as evidence of persecution against the divinely guided movement.

This creates a powerful psychological framework.

If people accept the message, it proves the truth is spreading.

If people oppose the message, it proves the enemies of truth are afraid.

If media platforms withdraw, it proves they lost.

If followers feel threatened, it proves the movement is important.

In such a framework, almost every outcome can be interpreted as confirmation.


Conclusion

The Great Egyptian Democracy and Freedom Experiment was more than a campaign about religious freedom.

It was an early example of how Abdullah Hashem and the Hashem Studios network used media, fear, persecution language, and online mobilisation to strengthen group identity.

The archived thread shows a community being trained to see itself as a persecuted remnant, surrounded by hostile enemies, engaged in a spiritual battle, and awaiting vindication.

That historical record matters because it helps explain how the later Ahmadi Religion of Peace and Light emerged from an already established online ecosystem of media production, apocalyptic expectation, loyalty to Ahmed al-Hassan, and resistance to outside scrutiny.

Archive source:
https://web.archive.org/web/20120103114332/http://hashemstudios-board.com/viewtopic.php?f=118&t=5222&start=30

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